{"id":479,"date":"2025-12-15T14:30:40","date_gmt":"2025-12-15T12:30:40","guid":{"rendered":"https:\/\/www.etkad.ee\/?page_id=479"},"modified":"2026-03-24T09:25:49","modified_gmt":"2026-03-24T09:25:49","slug":"triibuseelikute-mustrianaluus","status":"publish","type":"post","link":"https:\/\/www.etkad.ee\/en\/humal\/toovood\/triibuseelikute-mustrianaluus\/","title":{"rendered":"Pattern Analysis of Striped Skirts"},"content":{"rendered":"<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"kb-row-layout-wrap kb-row-layout-id479_618818-9b alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n\n<div class=\"wp-block-kadence-column kadence-column479_7638ce-7c\"><div class=\"kt-inside-inner-col\">\n<p class=\"kt-adv-heading479_8c983f-c7 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading479_8c983f-c7\">This workflow describes how image-based patterns are compared using machine learning methods. The aim is to investigate the pattern logic that characterised Estonian striped skirts of the 18th\u201319th centuries and to examine how these patterns relate to striped, glazed-surface woollen callimanco fabrics produced at the Norwich factory in England. The workflow combines digital humanities approaches with machine learning. For analysing large image datasets, we use machine learning models designed for visual pattern recognition, specifically convolutional neural networks (CNNs). CNNs are used primarily for extracting visual features and assessing pattern similarity, rather than for training a new model from scratch. Using CNNs, we compare stripe rhythms, colour usage, and structural features, and identify possible similarities between the two textile types. The central research question is whether Estonian folk costume skirts were inspired by specific imported fabrics, and which visual features best explain this relationship.<br>The workflow describes the process from collecting and standardising images from museum collections to interpreting the results of pattern analysis. At present, the research is in the phase of interpreting analytical results.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;69de5bb89c46a&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"69de5bb89c46a\" class=\"wp-block-image aligncenter size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"442\" height=\"631\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/www.etkad.ee\/wp-content\/uploads\/2026\/02\/striped_skirts_metsar_kull.png\" alt=\"\" class=\"wp-image-622\" srcset=\"https:\/\/www.etkad.ee\/wp-content\/uploads\/2026\/02\/striped_skirts_metsar_kull.png 436w, https:\/\/www.etkad.ee\/wp-content\/uploads\/2026\/02\/striped_skirts_metsar_kull-210x300.png 210w, https:\/\/www.etkad.ee\/wp-content\/uploads\/2026\/02\/striped_skirts_metsar_kull-8x12.png 8w\" sizes=\"auto, (max-width: 442px) 100vw, 442px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Enlarge\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewbox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">T\u00f6\u00f6voo skeem.<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-column kadence-column479_85d2ff-eb\"><div class=\"kt-inside-inner-col\">\n<ul class=\"wp-block-list has-theme-palette-8-background-color has-background\">\n<li><strong>Authors:<\/strong>\n<ul class=\"wp-block-list\">\n<li><a href=\"\/en\/humal\/tiina-kull\/\" data-type=\"page\" data-id=\"249\">Tiina Kull<\/a> (Estonian National Museum)<\/li>\n\n\n\n<li><a href=\"\/en\/humal\/kata-maria-metsar\/\" data-type=\"page\" data-id=\"121\">Kata Maria Metsar<\/a> (Estonian National Museum)<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Licence:<\/strong> <a href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/deed.en\" target=\"_blank\" rel=\"noreferrer noopener\">CC BY 4.0<\/a><\/li>\n\n\n\n<li><strong>Date\/version:<\/strong> 15.12.2025<\/li>\n\n\n\n<li><strong>Keywords (content):<\/strong> <a href=\"https:\/\/ems.elnet.ee\/id\/EMS012375\" target=\"_blank\" rel=\"noreferrer noopener\">national costumes<\/a>, <a href=\"https:\/\/ems.elnet.ee\/id\/EMS026725\" target=\"_blank\" rel=\"noreferrer noopener\">patterns<\/a>, <a href=\"https:\/\/ems.elnet.ee\/id\/EMS001276\" target=\"_blank\" rel=\"noreferrer noopener\">comparative analysis<\/a>, <a href=\"https:\/\/ems.elnet.ee\/id\/EMS015957\" target=\"_blank\" rel=\"noreferrer noopener\">cultural heritage<\/a><\/li>\n\n\n\n<li><strong>Keywords (<a href=\"https:\/\/tadirah.info\/index.html\" target=\"_blank\" rel=\"noreferrer noopener\">Tadirah<\/a>):<\/strong> <a href=\"\/en\/humal\/toovood\/marksonad\/seosanaluus\/\" data-type=\"marksonad\" data-id=\"138\">Relational analysis<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/kujutuvastus\/\" data-type=\"marksonad\" data-id=\"121\">Pattern recognition<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/masinope\/\" data-type=\"marksonad\" data-id=\"104\">Machine learning<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/vordlemine\/\" data-type=\"marksonad\" data-id=\"43\">Comparing<\/a><\/li>\n\n\n\n<li><strong>Subject field:<\/strong> <a href=\"\/en\/humal\/toovood\/eriala\/etnoloogia\/\" data-type=\"eriala\" data-id=\"189\">ethnology<\/a><\/li>\n\n\n\n<li><strong>Data media type:<\/strong> <a href=\"\/en\/humal\/toovood\/andmete-meediatuup\/pilt\/\" data-type=\"andmete_meediatuup\" data-id=\"192\">Image<\/a><\/li>\n\n\n\n<li><strong>Related materials:<\/strong>\n<ul class=\"wp-block-list\">\n<li>Kull, Tiina (2024). <a href=\"https:\/\/ojs.utlib.ee\/index.php\/SV\/article\/view\/24453\/18697\" target=\"_blank\" rel=\"noreferrer noopener\">Traces of callimanco in Estonia: purchased worsted striped fabrics from the late 18th to early 19th centuries<\/a>. Studia Vernacula, 16, 66\u221293.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div><\/div>\n\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignfull is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"kb-row-layout-wrap kb-row-layout-id479_bc8c19-37 alignfull has-light-beige-background-color kt-row-has-bg wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top kb-theme-content-width\">\n\n<div class=\"wp-block-kadence-column kadence-column479_0ecc53-ca kb-section-dir-vertical inner-column-1\"><div class=\"kt-inside-inner-col\"><div class=\"kb-row-layout-wrap kb-row-layout-id479_d7c918-48 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n\n<div class=\"wp-block-kadence-column kadence-column479_85ce0d-53\"><div class=\"kt-inside-inner-col\">\n<h1 class=\"kt-adv-heading479_74b7bc-46 wp-block-kadence-advancedheading has-theme-palette-3-color has-text-color\" data-kb-block=\"kb-adv-heading479_74b7bc-46\">Workflow steps<\/h1>\n\n\n\n<div class=\"wp-block-kadence-accordion alignnone\"><div class=\"kt-accordion-wrap kt-accordion-id479_10e7a0-2b kt-accordion-has-10-panes kt-active-pane-0 kt-accordion-block kt-pane-header-alignment-left kt-accodion-icon-style-basic kt-accodion-icon-side-left\" style=\"max-width:none\"><div class=\"kt-accordion-inner-wrap\" data-allow-multiple-open=\"false\" data-start-open=\"0\">\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-1 kt-pane479_b80f9d-af\"><div class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">1. Collect images of the textiles under study::Estonian striped skirts and Norwich callimanco fabrics<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/div><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<p><strong>Keywords: <\/strong><a href=\"\/en\/humal\/toovood\/marksonad\/avastamine\/\" data-type=\"marksonad\" data-id=\"68\">Discovering<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/kogumine\/\" data-type=\"marksonad\" data-id=\"39\">Collecting<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/kontekstualiseerimine\/\" data-type=\"marksonad\" data-id=\"48\">Contextualizing<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/infootsing\/\" data-type=\"marksonad\" data-id=\"95\">Information retrieval<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Goal<\/h4>\n\n\n\n<p>At this stage, we compile the visual sources required for the research. For Estonian material, our primary focus is on the collections of the Estonian National Museum, which are publicly accessible through the <a href=\"http:\/\/www.muis.ee\" target=\"_blank\" rel=\"noreferrer noopener\">MUIS web portal<\/a>. In addition, we collect photographs of Norwich callimanco fabrics originating from England, sourced from sales catalogues and factory dispatch books. This stage also includes contacting various museums and textile researchers to identify as representative and comparable an image corpus as possible.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Relation to the workflow<\/h4>\n\n\n\n<p>The aggregation of sources forms the foundation for all subsequent digital analysis. Without a sufficiently large dataset, it is not possible to statistically describe pattern variability or evaluate machine learning models. This stage establishes which stripe patterns are comparable and to what extent Estonian skirts can be examined alongside the callimanco tradition. All subsequent steps in the workflow depend on the visual corpus being compiled in a thorough and transparent manner.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-2 kt-pane479_11cb26-6d\"><div class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">2. Prepare images for analysis<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/div><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<p><strong>Keywords: <\/strong><a href=\"\/en\/humal\/toovood\/marksonad\/teisendus\/\" data-type=\"marksonad\" data-id=\"167\">Transformation<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/eeltootlus\/\" data-type=\"marksonad\" data-id=\"128\">Preprocessing<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a><\/a>Goal<\/h4>\n\n\n\n<p>The purpose of this step is to prepare museum photographs into a unified and comparable image corpus for further analysis. As the photographs were taken under highly varied conditions (lighting, perspective, scale), preprocessing is required to create a consistent basis for comparison. Each stripe segment is cropped at a standard scale (10 and 20 cm for Estonian material; 9 and 21 cm for callimanco), and image orientation is corrected where necessary, as even slight tilts can produce misleading results in machine learning. All stripe images are organised into folders by size and origin\u2014separating Estonian and English material, and approximately 10 cm and 20 cm scales. Image processing is carried out manually using GIMP, and images are initially stored in Google Drive and the Estonian National Museum\u2019s OneDrive.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a><\/a>Relation to the workflow<\/h4>\n\n\n\n<p>Consistent image preprocessing is critical for machine learning. CNN models are sensitive to visual noise and may otherwise learn irrelevant signals (such as shadows, lighting conditions, or photographic quality) instead of pattern logic. The outcome of this stage is a standardised, machine-learning-ready image corpus that allows for reliable identification of structural similarities and differences in stripe patterns.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-3 kt-pane479_9627e0-04\"><div class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">3. Simplify patterns for computational analysis<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/div><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<p><strong>Keywords:<\/strong> <a href=\"\/en\/humal\/toovood\/marksonad\/teisendus\/\" data-type=\"marksonad\" data-id=\"167\">Transformation<\/a>, <a href=\"https:\/\/www.etkad.ee\/en\/marksonad\/eeltootlus\/\" data-type=\"marksonad\" data-id=\"128\">Preprocessing<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a><\/a>Goal<\/h4>\n\n\n\n<p>The aim of this step is to reduce visual noise in the image material and to transform textile patterns into a form suitable for analysis. Methods are applied to emphasise the core structure of stripe patterns, such as colour-field harmonisation, brightness normalisation, and reduction of the pattern into one- or multi-dimensional signals.<br>In addition, essential and non-essential pattern elements are distinguished so that subsequent analysis focuses on stripe rhythm, boundaries, and width relationships rather than incidental photographic variation.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a><\/a>Relation to the workflow<\/h4>\n\n\n\n<p>This step establishes the conditions for all subsequent analytical stages. Without pattern reduction and noise minimisation, colour-based, rhythm-based, and deep-learning methods may respond to irrelevant visual signals. Pattern preprocessing helps ensure that computational analysis treats the textile as a pattern rather than as a photograph.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-4 kt-pane479_5d8388-09\"><div class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">4. Check what the algorithm \u201csees\u201d in the pattern<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/div><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<p><strong>Keywords:<\/strong> <a href=\"\/en\/humal\/toovood\/marksonad\/annoteerimine\/\" data-type=\"marksonad\" data-id=\"22\">Annotating<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/identifitseerimine\/\" data-type=\"marksonad\" data-id=\"91\">Identifying<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/visuaalne-analuus\/\" data-type=\"marksonad\" data-id=\"178\">Visual analysis<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a><\/a>Goal<\/h4>\n\n\n\n<p>Before applying computational analysis methods, we define which visual pattern features are substantively relevant for comparison. The focus is on stripe rhythm, the distribution of colour groups, relationships between stripe widths, and the formation of pattern boundaries.<br>This step uses visual comparisons at different scales, a limited number of manually annotated examples, and the interpretation of intermediate results.<br>Annotation does not function here as a separate training dataset, but as a control mechanism that helps assess whether the system is \u201clooking at the right thing\u201d or drifting toward irrelevant photographic features.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a><\/a>Relation to the workflow<\/h4>\n\n\n\n<p>This step connects human pattern perception with computational analysis. Without such control, it is not possible to evaluate whether subsequent colour-based, rhythm-based, and deep-learning methods produce meaningful results. The step prepares the ground for the next analytical phase.<\/p>\n\n\n\n<p class=\"kt-adv-heading479_c94cff-64 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading479_c94cff-64\"><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-6 kt-pane479_bd5643-5e\"><div class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">5. Compute and compare patterns<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/div><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<p><strong>Keywords:<\/strong> <a href=\"\/en\/humal\/toovood\/marksonad\/analuusimine\/\" data-type=\"marksonad\" data-id=\"21\">Analyzing<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/kujutuvastus\/\" data-type=\"marksonad\" data-id=\"121\">Pattern recognition<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/masinope\/\" data-type=\"marksonad\" data-id=\"104\">Machine learning<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a><\/a>Goal<\/h4>\n\n\n\n<p>At this stage, visual features of the textiles are computed at multiple levels. The analysis includes the distribution and proportion of colour palettes, stripe segment widths and rhythmic sequences, and the structural characteristics of pattern boundaries. These features are examined both independently and in relation to one another.<br>In parallel, pre-trained convolutional neural networks (CNNs) are applied to describe overall deep visual similarity between patterns and to compare these results with other, more interpretable features.<br>Different features describe patterns from different perspectives, allowing us to assess whether similarity arises from colour usage, rhythm, structure, or a combination of these elements.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a><\/a>Relation to the workflow<\/h4>\n\n\n\n<p>Multi-level feature analysis prevents reliance on a single method and provides a basis for flexible and interpretable pattern comparison.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-10 kt-pane479_b46205-39\"><div class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">6. Review and cluster the results<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/div><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<p><strong>Keywords: <\/strong> <a href=\"\/en\/humal\/toovood\/marksonad\/analuusimine\/\" data-type=\"marksonad\" data-id=\"21\">Analyzing<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/uurimine\/\" data-type=\"marksonad\" data-id=\"80\">Exploration<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/visuaalne-analuus\/\" data-type=\"marksonad\" data-id=\"178\">Visual analysis<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Goal<\/h4>\n\n\n\n<p>We analyse the outputs of different computational methods using both quantitative metrics and visual comparisons. We examine the frequency of recurring patterns, the distribution of structural similarities, and the clustering of patterns. We identify which stripes show the closest correspondence between Estonia and England, and which skirts form distinct visual groups.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Relation to the workflow<\/h4>\n\n\n\n<p>This stage builds a bridge between the technical outputs of machine learning and cultural-historical research. The analysis provides initial evidence as to whether the detected patterns may indicate callimanco influence or instead reflect an independent Estonian tradition. It also helps evaluate the strengths and limitations of the model.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-7 kt-pane479_d32f66-a7\"><div class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">7. Interpret the results in a cultural-historical context<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/div><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<p><strong>Keywords: <\/strong><a href=\"\/en\/humal\/toovood\/marksonad\/tolgendamine\/\" data-type=\"marksonad\" data-id=\"98\">Interpreting<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/kontekstualiseerimine\/\" data-type=\"marksonad\" data-id=\"48\">Contextualizing<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a><\/a>Goal<\/h4>\n\n\n\n<p>We relate the patterns identified by the model to ethnographic, historical, and art-historical material. We analyse how stripes cluster according to regions, periods, or technical characteristics, and in which respects Estonian patterns overlap with or diverge from the callimanco tradition<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a><\/a>Relation to the workflow<\/h4>\n\n\n\n<p>Interpretation may indicate the need to include additional comparative material (e.g. Swedish, Latvian, or German textiles), refine model parameters, or re-examine specific skirts. This stage provides the basis for scholarly articles and doctoral dissertation conclusions.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-8 kt-pane479_fc1674-a0\"><div class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">8. Publish and present the results<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/div><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<p><strong>Keywords: <\/strong><a href=\"\/en\/humal\/toovood\/marksonad\/levitamine\/\" data-type=\"marksonad\" data-id=\"70\">Disseminating<\/a>, <a href=\"\/en\/humal\/toovood\/marksonad\/avaldamine\/\" data-type=\"marksonad\" data-id=\"134\">Publishing<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a><\/a>Goal<\/h4>\n\n\n\n<p>If the research results are sufficiently robust and compelling, they are prepared for publication in articles, conference presentations, or visualised data publications. The methodology is also documented to enable other researchers to apply a similar approach. In addition, the datasets used are deposited in an appropriate repository.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a><\/a>Relation to the workflow<\/h4>\n\n\n\n<p>Dissemination concludes the workflow cycle while enabling new research. Feedback allows both the model and cultural-historical interpretation to be refined, strengthening collaboration between digital humanities and folk costume studies.<\/p>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n\n<\/div><\/div><\/div><\/div>\n\n<\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>See t\u00f6\u00f6voog kirjeldab, kuidas masin\u00f5ppe toel piltide mustreid v\u00f5rdleme. Soovime teada saada, milline mustriloogika valitses 18.\u201319. sajandi Eesti triibuseelikutes ning kuidas need mustrid suhestuvad Inglismaalt Norwichi tehasest p\u00e4rit triibuliste l\u00e4igestatud pinnaga villaste callimanco-kangastega. T\u00f6\u00f6voog kombineerib digihumanitaaria meetodeid ja masin\u00f5pet. Suurte pildiandmekogude anal\u00fc\u00fcsimiseks kasutame visuaalsete mustrite \u00e4ratundmiseks loodud masin\u00f5ppemudeleid &#8211;&nbsp; konvolutsioonilisi n\u00e4rviv\u00f5rke (CNN-e). CNN-i kasutatakse eelk\u00f5ige [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[77],"tags":[],"marksonad":[8,33,34,35,14,36,37,18,19,38,39,40,41,42,43,29,44,45,32],"eriala":[81],"valjund":[],"andmete-meediatuup":[88],"class_list":["post-479","post","type-post","status-publish","format-standard","hentry","category-toovood","marksonad-analuusimine","marksonad-annoteerimine","marksonad-avaldamine","marksonad-avastamine","marksonad-eeltootlus","marksonad-identifitseerimine","marksonad-infootsing","marksonad-kogumine","marksonad-kontekstualiseerimine","marksonad-kujutuvastus","marksonad-levitamine","marksonad-masinope","marksonad-modelleerimine","marksonad-seosanaluus","marksonad-teisendus","marksonad-tolgendamine","marksonad-uurimine","marksonad-visuaalne-analuus","marksonad-vordlemine","eriala-etnoloogia","andmete-meediatuup-pilt"],"_links":{"self":[{"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/posts\/479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/comments?post=479"}],"version-history":[{"count":20,"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/posts\/479\/revisions"}],"predecessor-version":[{"id":1642,"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/posts\/479\/revisions\/1642"}],"wp:attachment":[{"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/media?parent=479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/categories?post=479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/tags?post=479"},{"taxonomy":"marksonad","embeddable":true,"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/marksonad?post=479"},{"taxonomy":"eriala","embeddable":true,"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/eriala?post=479"},{"taxonomy":"valjund","embeddable":true,"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/valjund?post=479"},{"taxonomy":"andmete-meediatuup","embeddable":true,"href":"https:\/\/www.etkad.ee\/en\/wp-json\/wp\/v2\/andmete-meediatuup?post=479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}